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BARTOK OPERA CONDUCTING COMPETITION 2007
SECOND EDITION

28 May - 10 June 2007 in CLUJ-NAPOCA, ROMANIA
with the
KOLOZSVÁRI MAGYAR OPERA
(Hungarian Opera Cluj)


Panoramic view of Cluj-Napoca, Romania

Competition places ARE still available!

Competition Details | International Jury of Conductors | Day-by-Day Schedule

Bela Bartok
Bela Bartok
around the time of
Bluebeard's Castle

The competition is limited to 63 conductors WITHOUT AGE LIMIT. Acceptance will be based on a conductor's professional background and suitability for this Competition.


The first 63 conductors who apply, are accepted, and pay the deposit, will secure Competition places/slots.


Conductors who took part in the 2005 Competition but who were not awarded a 1st, 2nd, or 3rd place prize, ARE eliglible for the 2007 Competition.


Applicants should NOT currently be employed/engaged as a Chefdirigent (chief conductor) or General Director (Generalmusikdirektor) of an operatic institution. Please contact us if you are uncertain about this regulation.


First Round:
La traviata (Giuseppe Verdi), in Italian
Samson et Dalilah (Camille Saint-Saens), in French

Second Round:

Tosca (Giacomo Puccini), in Italian
Pagliacci (Ruggiero Leoncavallo), in Italian

Third Round:

Duke Bluebeard's Castle (Bela Bartok), in Hungarian
Vocal score: Herzog Blaubarts Burg, op. 11
UE (Universal Edition) 7026
In German and Hungarian

Full score: Herzog Blaubarts Burg/Bluebeard's Castle
UE (Universal Edition) 13641/(octavo-size)
In German and English

It is recommended conductors acquire both the vocal and full score.

The judges will request specific excerpts of each conductor at the competition - contestants should prepare the entire repertoire. Traditional/minor cuts taken by this opera house of this repertoire will be given to the 63 conductors upon their arrival. Original instrumentation and full orchestra/chorus and soloists will be used for all works and rehearsals.

FIRST PRIZE:
3500 EUR as well as
2 opera engagements (with standard conditions and fees) with two professional opera companies in the region (one with the Hungarian National Opera/Budapest, another with the Slovak State Opera/Kosice)
Gala performance of La traviata in Cluj-Napoca
on 12 June 2007 (one act)

SECOND PRIZE:
2000 EUR as well as
1 opera engagement (with standard conditions and fee) with a professional opera company in the region (Romanian National Opera/Bucharest)
Gala performance of La traviata in Cluj-Napoca
on 12 June 2007 (one act)

THIRD PRIZE:
1000 EUR as well as
Gala performance of La traviata in Cluj-Napoca
on 12 June 2007 (two acts)

*contacts for the 2007-2008 season with the above opera houses are subject to change

International Jury of conductors:
Maestro Bela HARY (ROM/HUN)
Maestro Igor DOHOVIC (SLK)
Maestro Klaus CORNELL (SUI/USA)
Hungarian Opera Cluj's orchestra,
and chorus will also have
an input on the judging

HARY BELA

Hary Bela was born in Simleul Transilvaniei, Romania and educated in Cluj-Napoca, Paris and Weimar where he studied piano, composition and conducting. His teachers included Olivier Messiaen, Kurt Masur, as well as many others. His close relationship with the legendary Romanian conductor, Sergiu Celibadache, also had a profound impact on his artistic development.

Maestro Hary has been affiliated with the Hungarian Opera in Cluj-Napoca since 1956 and was its music director between 1970 and 1990. During his nearly 37 years of professional activity, he has conducted most operas and ballets in the standard repertoire.

As a guest conductor, Maestro Hary has appeared in Poland, Russia, Hungary, Italy and Germany.

As a conductor of symphonic music, Maestro Hary has led nearly all the major orchestras in Romania. His symphonic repertoire includes a great number of musical compositions beginning with the pre-classic composers and ending with the most representative compositions of the 20th century. He has a vast knowledge of Hungarian music, contributing to the presentation in Romania of Bartok’s remarkable compositions. On the occasion of Bartok’s birth centenary in 1981, the Hungarian Government decorated him for his role in advancing the knowledge and appreciation of the Hungarian master’s works. As a composer, Hary Bela has written for piano, chamber orchestra and the stage.

IGOR DOHOVIC

Igor Dohovic was born in 1973 in Presov, Slovakia and graduated from the Lviv Music Academy in 1997 as a violinist with professor Kasjkiv Bohdan and in 1999 as an opera and symphonic conductor with professor Luciv Jurij. In 2002, he finished postgraduate study at the same Academy. In 1996, he participated at the Temirkanov's mastercourse in Siena, Italy.

Since 1997, Dohovic has been a conductor (and since 2002 the chief conductor) of the Slovak State Opera in Kosice. He is also the general music director of the string orchestra, Musica Iuvenalis. Maestro Dohovic has conducted more than 30 titles of opera and ballet - all together more than 400 performances and 120 symphonic concerts. In 2002, he participated in the Cadaques Conducting Competition in Barcelona. In 2003, he won first prize in the International Conducting Competition in Spoleto.

Maestro Dohovic has conducted throughout Europe and Japan and regularly cooperates with the Slovak State Philharmonic Kosice; in Poland he works with the Lublin Philharmonic Orchestra, the Philharmonic Orchestra of Bydgoszcz, the Krakow Chamber Opera, the Opera Festival Viva il canto, the Opera Festival in Sanok, and the Poznan Opera House; in Hungary with the Festival Bartok in Miskolc; in Italy with the Spoleto Teatro Sperimentale; in Ukraine with the Lviv Opera; and with festivals in Spain, Scotland, Belgium, the Czech Republic, Italy and Japan.

Dohovic is the founder of an opera festival called "Opera As You Don't Know It", and an educational program called "Rock and Classical Music are the Same". He was also a stage director having created a special production of Krasa's opera "Brundibar."

KLAUS CORNELL

Klaus Cornell wird 1932 in Bern geboren und studiert dort am Konservatorium und an der Universität. Er setzt seine Studien am Mozarteum Salzburg fort, vor allem bei Sándor Veress. 1956 erhält Klaus Cornell den österreichischen Landeskulturpreis.

Er dirigiert das Orchester des Basler Theaters, engagiert sich dann bei der Deutschen Grammophongesellschaft und anschliessend beim Südwestfunk Baden-Baden. Er arbeitet auch bei der Schweizerischen Radio- und Fernsehgesellschaft (SRG/DRS), vor allem als künstlerischer Leiter des Kompositionspreises der Europäischen Rundfunk Union (EBU). Man findet ihn an der Spitze des Schweizer Jugendsinfonieorchesters, er gehört zu den Mitbegründern der Gruppe Olten und realisiert zahlreiche Plattenaufnahmen. 1983 wird er Direktor des Konservatoriums Schaffhausen und er arbeitet mehrmals in der Jury des Musikwettbewerbs Genf. 1988 beschliesst er, sich in Nordamerika niederzulassen, wo er vorwiegend als Komponist und Dirigent tätig ist. Wieder zurück in Europa, lebt er vor allem in München und in Konstanz.

Ce compositeur est né à Berne en 1932. Il étudia au Conservatoire de cette ville ainsi qu’à l’Université. Il poursuivit sa formation au Mozarteum de Salzbourg, notamment auprès de Sándor Veress. En 1956, Klaus Cornell reçoit le Prix culturel de l’Etat autrichien. Il est, tour à tour, collaborateur du Théâtre de Bâle comme chef d’orchestre, puis s’engage auprès de la Deutschen Grammophongesellschaft, puis auprès du studio de la Südwestfunk de Baden Baden. Il fut également collaborateur de la Radio Télévision Suisse (SRG/DRS) où notamment il fut le directeur artistique du Prix de composition de l’Union Européenne de Radiodiffusion (UER). On le retrouve à la tête de l’Orchestre symphonique suisse des jeunes. Il est, entre autres, fondateur du Groupe d’Olten. Il a réalisé de nombreuses productions discographiques. Il fut également directeur du Conservatoire de la Ville de Schaffhouse. A plusieurs reprises, il participa aux travaux du jury du Concours International d’Exécution Musicale de Genève. En 1988, il décide de résider en Amérique du Nord où il travaille principalement comme compositeur et chef d’orchestre. De retour en Europe, il vit principalement à Munich et à Constance.

SOME OF THE CRITERIA USED BY THE JURY

Conductors will be evaluated primarily on their effectiveness during rehearsals in working with orchestra, chorus, cast, house pianists etc. A conductor's piano skills will not be a factor. Of course, knowledge of the scores and libretti will be important. More important, however, will be how effectively and artfully the conductor galvanizes, polishes, and inspires the whole during the rehearsal process through gesture, rehearsal manner and knowledge (including suggestions concerning diction, vocal production, general ensemble, orchestral technique, the interrelationship between drama and music) etc. For those conductors who advance to the third round, a mastery of Hungarian will not be an essential or a deciding factor. Musical matters will be first and foremost.


Hungarian Opera, Budapest, Exterior






Hungarian Opera, Budapest, Interior

For more information, please contact:

Blue Danube Musik Impresario GmbH
Strozzigasse 32-34
A-1080 Wien (Vienna)
Austria (Europe)
Tel./Fax: +43 1 405 40 30
E-mail: office@bluedanubeviolins.com or
AArmore@yahoo.com

The application form can be found here.

FEES: An application fee of 50 EUR (non-refundable) and deposit of 200 EUR (refundable until 1 May 2007) is due at the time of invitation. The balance (450 EUR) of the total participation fee (650 EUR) should be paid in cash (EUR only) upon registration on the conductor's first day at the Competition.

If money is sent via Western Union, the director's name (Anthony Armore), the company's name (Blue Danube Musik Impresario GmbH) and the information below is needed:

Anthony Armore
Blue Danube Musik Impresario GmbH
Strozzigasse 32-34
A-1080 Wien
Tel: +43 1 405 40 30
Mobile: +43 660 944 16 59

Moreover, for Western Union, the sender's name, address and telephone number are also needed. The MTCN number should be sent to Blue Danube Musik Impresario via e-mail, fax or telephone at the same time, alerting us that payment has been sent.

View photos and results of the 2005 (inaugural edition) here: www.operaconducting.ro.

Conductors in the first round will not know their status regarding the second until the morning of 4 June. Conductors in the second round will not know their status regarding the third until the morning of 9 June.

The winners should be prepared to stay in Cluj-Napoca for two additional days for rehearsals and a Gala Concert on the evening of 12 June (fully-staged performance of La traviata).


HOTEL INFORMATION
(all prices are in EUR and include breakfast)
Hotel must be paid in cash only, please, either in EUR or Romanian lei. Credit cards will not be accepted. Bank machines are available to access cash in the local currency.

Hotel Napoca - 25 single / 37 double / 48 triple
The Hotel Napoca is about 5 minutes by foot to the opera house.

These are special prices offered to us for the Competition by this hotel. Please let us know your preference. Conductors have the option of sharing a room to save on accommodation costs.

ROUND I (limited to 63 conductors)
LA TRAVIATA & SAMSON ET DALILAH

Each conductor will have:
20’ Generalprobe with La traviata AND 20' Sitzprobe with Samson et Dalilah all during one day (morning and evening), tutti, orchestra, chorus and soloists.

ROUND II (limited to 20 conductors)
TOSCA & PAGLIACCI

Each conductor will have:
20' with orchestra alone (passages of their choice from both operas);
20' with chorus alone -- (passages of their choice from both operas);
20' with cast and Korrepetitor (pianist) on EITHER Tosca or Pagliacci (determined by jury) AND
40' Generalprobe with EITHER Tosca or Pagliacci (determined by jury)

ROUND III (limited to 6 conductors)
DUKE BLUEBEARD'S CASTLE
Each conductor will have:
100' Sitzprobe (rehearsal followed by run-through)

   

27 May (Round I)
Conductors arrive

28 May (Round I)
10.00-14.00 Generalprobe
(La traviata)
18.00-22.00 Sitzprobe (Samson et Dalilah)

29 May (Round I)
10.00-14.00 Generalprobe
(La traviata)
18.00-22.00 Sitzprobe (Samson et Dalilah)

30 May (Round I)
10.00-14.00 Generalprobe
(La traviata)
18.00-22.00 Sitzprobe (Samson et Dalilah)

31 May (Round I)
10.00-14.00 Generalprobe
(La traviata)
18.00-22.00 Sitzprobe (Samson et Dalilah)

1 June (Round I)
10.00-14.00 Generalprobe
(La traviata)
18.00-22.00 Sitzprobe (Samson et Dalilah)

2 June (Round II)
Posting of 2nd round
conductors by 08.00

10.00-14.00 orchestra rehearsal (Pagliacci & Tosca);
18.00-22.00 chorus rehearsal (Pagliacci & Tosca)

3 June (Round II)

10.00-14.00 orchestra rehearsal (Pagliacci & Tosca)
18.00-22.00 chorus rehearsal (Pagliacci & Tosca)

4 June (Round II)

10.00-14.00 cast rehearsal
(Pagliacci)
18.00-22.00 cast rehearsal (Tosca)

5 June (Round II)

10.00-14.00 Generalprobe
(Pagliacci)
18.00-22.00 Generalprobe (Tosca)

6 June (Round II)
10.00-14.00 Generalprobe
(Pagliacci)
18.00-22.00 Generalprobe
(Tosca)

7 June (Round III)
Posting of 3rd round
conductors by 08.00

10.00-14.00 Sitzprobe
(Bartok)
18.00-22.00 Sitzprobe (Bartok)

8 June (Round III)

10.00-14.00 Sitzprobe
(Bartok)

16.00 Announcement of Winners.

10 JUNE
Gala performance of La traviata for the 3 winners.

SAINT-SAENS/SAMSON ET DALILAH
In Europe, the Durand mid-sized full score is available for ca. 159 EUR.
In the U.S. this score sells for $210.25 but may need to be ordered.
In the U.S., the Kalmus re-print of the Durand (larger size) sells for $275.
Worldwide, the Dover edition is unfortunately now out of print. However, conductors may be able to locate used used or new copies

Repertoire, competition location and exact dates in 2007 subject to change.