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Johannes Brahms
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24 October
- 6 November 2004
in BRASOV, ROMANIA
with
MAESTRO JORMA PANULA,
the BRASOV PHILHARMONIC ORCHESTRA
and
PIANIST ANDREI DELEANU
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Carl Nielsen
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Maestro Jorma
Panula
Brasov Philharmonic Orchestra |
Andrei Deleanu |
David Rahbee
Symposium/Mastercourse Details
| Day-by-Day Schedule
| Repertoire |

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Distinguished conductor and
conducting pedagogue, MAESTRO JORMA PANULA
will lead the Mastercourse/Symposium.
Maestro Panula has conducted major orchestras on all
continents and was professor of conducting in his native
Finland at the Sibelius Academy in Helsinki (since 1973).
He presently teaches conducting courses at the Stockholm
Royal Academy, and formerly taught at the Copenhagen
Royal Academy.
Panula is in demand as an effective teacher of conducting
mastercourses throughout the world. Several of his former
students are now music directors of major orchestras,
including Esa Pekka Salonen (LA Philharmonic), Osmo
Vanska (Minnesota Orchestra, Lahti Symphony), Jukka
Pekka Saraste (Toronto Symphony), Sakari Oramo (City
of Birmingham Symphony, Finnish Radio Symphony), and
Petri Sakari (formerly Iceland Symphony). The BBC has
labeled him as one of the 60 most influential musicians
alive today. |
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Brasov inaugurated its concert life with the Philharmonic
Orchestra Society (Philharmonische Gesellschaft) on
6 May 1878, in a program that included Mozart's overture
to Die Zauberflote and the Beethoven Sixth Symphony,
with Anton Brandner conducting. Since then, the Brasov
Philharmonic has performed the entire standard repertoire.
Historically significant were appearances by such musical
luminaries as Johann Strauss Jr., Josef Joachim, Johannes
Brahms, Richard Strauss, Felix Weingartner, George Enescu
and Edwin Fischer.
After the difficult war years, conductor
Dinu Nicolescu led a reorganization, developing an
exceptional orchestra by 1962-1963, when it received
national recognition. The late 60's, 70's, 80's and
early 90's were dominated by the personality of conductor
I. Ionescu-Galati, who brought the orchestra international
prominence, performing with prestigious artists, and
touring with both chamber and symphonic-sized groups.
Beginning with 1996, the general manager
and chief conductor of the Brasov Philharmonic has
been Ovidiu Dan Chirila; its resident soloists are
Florin Ionescu Galati, violin, and Anton Niculescu,
violoncello. Conductors who have appeared with the
orchestra have included Kiril Kondrasin, Carlo Zecchi,
Kurt Woss, and Edward Civjilan; soloists have included
IgorBezrodnai, Dmitri Baskirov, Aldo Ciccolini, Radu
Lupu, Mihaela Ursuleasa, Viktor Tretiakov, Li-Min-Cean,
Jean Jacques Kantorow, Rudolf Kerer, Lola Bobescu,
Yvry Gitlis, Mihail Fichtengolz, Ion Voicu, Stefan
Ruha, Valentin Gheorghiu, Dan Grigore, Silvia Marcovici,
Mihaela Martin, Vladimir Orlov, Marin Cazacu, Radu
Andulescu, and others. The Brasov Philharmonic Orchestra
has also recorded widely for a variety of record labels. |
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The Romanian pianist, Andrei Deleanu,
besides being one of Romania's most gifted and sought-after
piano soloists, is a professor of piano at the National
Conservatory of Music in Bucharest and was general director
of the Black Sea Philharmonic in Constanta, Romania
between 2001-2003. Fluent in German, French, and English,
Mr. Deleanu will rehearse and perform the Brahms First
Piano Concerto, present a general session for conductors
on the conductor/soloist partnership, and offer conductors
private coaching sessions (optional) on most of the
major piano concerto repertoire (Brahms, Beethoven,
Mozart, Schumann, Tchaikovsky).
Mr. Deleanu's general session will include: a general
presentation about the soloist's 'hopes and fears' before
meeting the conductor; the first meeting between conductor
and soloist (what to do, avoid, etc.); understanding
the partner; what is 'difficult' for the conductor/for
the soloist; who's in charge (who leads, who follows);
compromise and negotiation; techniques & facts;
diagnosis of problems; examples from Beethoven and Brahms
piano concerti. |
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SESSIONS ON ERRATA AND OTHER PERFORMANCE PRACTICE
ISSUES IN THE ORCHESTRAL WORKS OF CARL NIELSEN
The American conductor, composer, violinist, arranger,
and editor, DAVID RAHBEE, is professionally
successful and active in all these roles on both sides
of the Atlantic. Now based in Vienna, Austria, Mr. Rahbee
has worked extensively with conductors and librarians
with the Boston Symphony, the Vienna State Opera (Wiener
Staatsoper), and the Boston Pops in the preparation
for performance of scores and parts. He will present
sessions on errata in the symphonic works of Carl Nielsen,
with primary focus on the works to be performed during
the Masterclass. Mr. Rahbee will also prepare the materials
to be rehearsed and performed during the Masterclass
and guide conductors in making corrections to their
scores and parts.
Despite the recent publication of a new Nielsen edition
(which should be free of errors), many conductors still
possess and use older, problematic material. Mr. Rahbee
has contacts and affiliations with several Scandinavian
orchestras with whom Carl Nielsen worked, and will present
information (bowings, performance traditions, etc.)
based on his research of their libraries and discussions
with librarians, concertmasters, conductors, etc. |
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The Symposium/Mastercourse will begin on 24 October
and conclude with its final concert on 6 November
2004. The event will take place in the rehearsal and
performance halls of the BRASOV PHILHARMONIC
ORCHESTRA and focus on selected orchestral
works of Johannes Brahms and Carl Nielsen with a full
symphony orchestra. There will be 16 rehearsals and
four public concerts (27 & 30 October and 3 &
6 November) with presentations and discussions.
Sixteen (16) conductors will be
selected as active participants from the applicants
-- these conductors should be experienced professionals
who want to deepen their knowledge of the Brahms and
Nielsen orchestral repertoire and its interpretation.
Each of the conductors will have daily podium time
and conduct on one of four public concerts with equal
time. Up to ten (10) auditors will
also be selected -- auditors need not have significant
professional conducting experience, but should be
experienced conductors with an interest in Brahms/Nielsen
and/or conducting technique, or others who are simply
interested in the orchestral works of these great
composers. Those auditors who are experienced conductors
may also conduct during one or more rehearsals.
Conductors are urged to bring ALL SCORES to the Masterclass,
even if they are not planning on conducting some of
the works to be rehearsed and performed. It is also
strongly recommended conductors attend all presentations
(two on Nielsen by Mr. David Rahbee, one on the conductor
as accompanist by piano soloist Andrei Deleanu, and
possibly one or two by Maestro Panula).
Conducting assignments for the public performances
will be made by Maestro Panula. Each will be asked
to list the works they prefer to conduct on a public
concert and efforts will be made to accommodate their
wishes. However, the decisions of Maestro Panula and/or
the Masterclass administration are final.
SEVERAL MASTERCOURSE CONDUCTORS (SELECTED
BY MAESTRO PANULA) WILL BE OFFERED A CONCERT WITH
THE BRASOV PHILHARMONIC IN 2005.
The fee for the course is 2,050 EUR
(for active participants) and 500
EUR (for auditors) EXCLUDING
travel, accommodation and meals.
Please note that participants and
auditors should apply for the full course -- it is
not possible to register for only a portion of it.
NB -- THE COURSE IS LIMITED TO THE FIRST
16 QUALIFIED CONDUCTORS (ACTIVE PARTICIPANTS) WHO:
1) CONFIRM THEIR INTENTION OF PARTICIPATION;
2) PAY A DEPOSIT OF 308 EUR (15% THE COURSE FEE);
AND
3) ARE ACCEPTED/APPROVED.
THE DEPOSIT WILL NOT BE REFUNDED IF A CONDUCTOR CANCELS
AFTER 9 SEPTEMBER 2004.
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We have negotiated the following rates at the Hotel
"Coroana" -- 27 EUR per night
for a single; 36 EUR
per night for a double (two conductors
could share at 18 EUR EACH) -- breakfast is included
and all rooms have full bath. Less expensive accommodations
may also available. The hotel is very close to rehearsal
and performance halls.
Brasov, Romania is easily reached by train or auto
from either Budapest, Vienna or Bucharest and is three
hours by car from Otopeni International Airport in
Bucharest. The Philharmonic will provide ground transportation
to and from Bucharest. |
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NB: Maestro Panula's presentations and video sessions with conductors will be established/arranged by the Maestro on a day-by-day basis. These will take place most afternoons and some evenings. |
Sunday,
24 October
13.00: First microbus meets
conductors at Otopeni
16.50: Second microbus meets conductors
at Otopeni
19.00: Orientation and Nielsen
Presentation byDavid Rahbee at the Hotel Coroana
(conference room) |
Friday,
29 October
09.30: Probe
18.00: Probe |
Wednesday,
3 November
10.00: Generalprobe
19.30: CONCERT III |
Monday, 25
October
09.30: Probe
18.00: Probe |
Saturday 30
October
10.00: Generalprobe
19.30: CONCERT II |
Thursday, 4
November
10.00: Probe
19.00: Nielsen Presentation/ David
Rahbee/conference room/Hotel Coroana |
Tuesday, 26
October
09.30: Probe
18.00: Probe |
Sunday, 31
October
10.00: Excursion to Bran Castle
(optional)
17.30: Probe (tentative) |
Friday, 5 November
09.30: Probe
18.00: Probe |
Wednesday,
27 October
10.00: Generalprobe
19.30: CONCERT I |
Monday, 1 November
10.00: Probe
19.00: Session/Maestro Panula |
Saturday, 6
November
10.00: Generalprobe
19.30: CONCERT IV |
Thursday, 28
October
10.00: Probe
19.00: Presentation/Andrei
Deleanu |
Tuesday, 2
November
09.30: Probe
18.00: Probe |
Sunday, 7 November
03.00: First microbus to Otopeni
08.00: Last microbus to Otopeni
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*Several rehearsals
may be added depending on final number of active
participants and auditors. |
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Although the repertoire list is extensive,
conductors will conduct and prepare pieces of their
choice (whenever possible). They should, however,
be familiar with most of the repertoire; there will
be opportunities for them to "get their feet
wet" with unfamiliar repertoire (to them) in
a supportive and "low pressure" context.
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CONCERT
#1
Nielsen: Helios
Overture
Nielsen: Symphony No. 1, Op. 7
----------- I N T E R M I S S I O N -----------
Brahms: Symphony No. 1 in c
minor, Op. 68 |
CONCERT
#2
Brahms: Piano
Concerto No. 1 in d minor, Op.
15
----------- I N T E R M I S S I O N
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Nielsen: Symphony No. 2, Op. 16
[The Four Temperaments] |
CONCERT
#3
Brahms: Academic
Festival Overture
Brahms: Symphony No. 3 in F
Major, Op. 90
----------- I N T E R M I S S I O N
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Nielsen: Symphony No. 4, Op.
29 [Inextinguishable] |
CONCERT
#4
Nielsen: Maskarade
Overture
Brahms: Tragic Overture, Op.
81
Nielsen: Aladdin: 7 Pieces,
Op. 34
----------- I N T E R M I S S I O N
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Brahms: Symphony No. 4 in e
minor, Op. 98 |
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